![]() The raga is very close to ragas like Desh, and hence requires a skilful rendition for the differences to be distinct to the listener. ![]() Rarely, a tinge of Komal Ni is also used in this raga. It is a very melodious raga, and whereas heavy classical genres like Khyals are often based on this raga, light classical genres are more popular in Tilak Kamod. The raga is to be sung during the second quarter of the night (dwitiya prahar). The vadi swara is S, and the samavadi is P. All the swaras used in this raga are shuddha.Īvarohana: S’ P D m G S R G S ‘N ‘P ‘N S R G S. The raga is of Audava-Shadava nature, i.e., in its arohana (ascent) five notes are used (G and D are excluded), whereas the avarohana (descent) uses six notes (R is excluded). ![]() ![]() etc to represent the lower octave and S’, R’, G’ etc for the upper. Within the limitations of my software, I’m using N. ![]()
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